English Unlimited HAK/HUM 3, Schulbuch mit Audio-CD und CD-ROM (mit Handelskorrespondenz)

208 Acknowledgements Acknowledgements The authors and publishers acknowledge the following sources of copyright material and are grateful for the permissions granted. While every effort has been made, it has not always been possible to identify the sources of all the material used, or to trace all copyright holders. If any omissions are brought to our notice, we will be happy to include the appropriate acknowledgements on reprinting. Texts 9 adapted from Mike Scott “The day I downloaded myself,” The Guardian 23.03.2007; 20 Rebecca Smith “Facebook spells end of lasting friendships, says expert,” Daily Telegraph , 03.07.08; 29 adapted from Dr. David McNeill “Mr Song and Dance Man”; 31 inspired by Alice-Azania Jarvis, “The 5-minute interview: Carlos Acosta,” The Independent , 13.03.08; 40 David Keirsey “Please understand me II”; 60 adapted from http://edition.cnn. com/2012/06/07/us/from-janitor-to-harvard/index.html; 64-65 adapted from “How a cash strapped teacher beat credit crunch,” Daily Mail , 06.09.08; 66 inspired by http://www.consumerismcommentary.com/ everbank-money-market-account-review/; 78 Maureen Rice “Dejunk your life,” The Guardian , 23.01.2000; 97 http://news.bbc.co.uk/2/hi/uk_news/ northern_ireland/6189870.stm; 103 inspired by Gwyn Topham “Heathrow must be expanded or replaced, airport chief announces,” The Guardian , 15.11.2012 and johnstewart2@btconnect.com ; 110 adapted and abridged from Joan Gearin “Movie vs. Reality: The Real Story of the von Trapp Family,” Prologue Magazine , Winter 2005, Vol. 37, No. 4; 112 adapted from Abul Taher and Dipesh Gadher, The Sunday Times , 25.02.07; 118 adapted from Heather Whipps “Urban Legends: How They Start and Why They Persist,” 2010, http://www.livescience.com/7107-urban-legends-start-persist.html ; 119 adapted from http://www.snopes.com/business/business.asp; 137 adapted and abridged from http://www.bbc.co.uk/news/blogs-magazine- monitor-25727864; 144 translated and adapted from Vikas Bajaj “A New Capital of Call Centers,” The New York Times , 25.11.2011; 145 adapted from “A hitch in our desire for unrestricted travel”, The Guardian , 30.12.2009; 171 adapted from David Derbyshire “His goal was to make it simple to use and beautiful to look at. The result was the iPod,” Daily Telegraph , 19.11.05; 174 adapted from “Aussie legend supports drug use,” 2002, Australian Associated Press ; 176 adapted from Matt Renton “Money in sport is out of control!” http://www.pponline.co.uk/blog/money-sport-out-control-40087; 178 http://www.drugfreesport.org.nz/Students+Section/Athlete+Views/ Sarah+Ulmer.html The publisher has used its best endeavours to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Pictures 7.1 Viacom International Media Networks Northern Europe; 7.2 RTL Television GmbH; 7.3 QVC Deutschland Inc. & Co. KG; 7.4 Eurosport Media GmbH; 7.5 olly (Fotolia); 7.6 Robert Galik (Thinkstock); 7.7 rainyk (iStockphoto.com); 7.8 olly (Fotolia); 9 TNR.com ; 11.1 PBS/Everett Collection (picturedesk.com ); 11.2 Focus Features/Everett Collection (picturedesk. com); 12 lu-photo (Fotolia); 18.2 mikanaka (Thinkstock); 18.3 Cambridge University Press; 18.4 diego cervo (iStockphoto.com); 18.5 Meddy Popcorn (Fotolia); 21.1 Belyaevskiy (Thinkstock); 21.2 Chalabala (Thinkstock); 22.1 Fuse (Thinkstock); 22.2 kostsov (Thinkstock); 23 Bruce Hamms (Fotolia); 25 Jupiterimages (Thinkstock); 27 Liufuyu (Thinkstock); 28.1 Crusitu Robert (iStockphoto.com); 28.2 ppart (Thinkstock); 28.3 Chesky_W (Thinkstock); 28.4 Eric Martinez (Fotolia); 28.5 Twiggy Van Daele (Thinkstock); 28.6 fotokalle (Fotolia); 28.7 Konstantin Sutyagin (Fotolia); 28.8 Fuse (Thinkstock); 30.1 MEV-Verlag Germany; 30.2 MEV-Verlag Germany; 30.3 Gerville Hall (Thinkstock); 31 chatchaisurakram (Thinkstock); 32.1 Yuri Arcurs (Fotolia); 32.2 its FR!TZ (Fotolia); 36.1 Cambridge University Press; 36.2 Gareth Boden; 37 Brenda A. Carson (iStockphoto.com); 46 Lisa-Blue (iStockphoto.com); 47.1 Ian Ning (Thinkstock); 47.2 Wavebreakmedia Ltd (Thinkstock); 48 daksel (Fotolia); 49 Gareth Boden; 50.1 Nastco (Thinkstock); 50.2 monkeybusinessimages (Thinkstock); 51 kali9 (Thinkstock); 52.1 dimis (Fotolia); 52.2 Jonny Kristoffersson (iStockphoto.com); 53.1 runzelkorn (Fotolia); 53.2 Ron Chapple Stock (Thinkstock); 53.3 JackF (Thinkstock); 54 skynesher (iStockphoto.com); 56.1 MEV-Verlag Germany; 56.2 Dewitt (Thinkstock); 57 WhitcombeRD (Thinkstock); 58 MET Warmington (Thinkstock); 60.1 Jochen Sand – Photodisc (Thinkstock); 60.2 Jupiterimages (Thinkstock); 60.3 Danish Khan (iStockphoto.com); 63 SILIAN (Thinkstock); 64.1 Stockbyte (Thinkstock); 64.2 Gosphotodesign (Thinkstock); 64.3–7 Cambridge University Press; 65.1 Timmary (Thinkstock); 65.2 Jupiterimages (Thinkstock); 67.1 gpointstudio (Thinkstock); 67.2 Edu_Oliveros (Thinkstock); 68 hjalmeida (Thinkstock); 70.1 Cambridge University Press; 70.2 DigitalVision (Thinkstock); 71 www. economicshelp.org ; 72 InternationalerWährungsfonds; 73 auremar (Fotolia); 74 funduck (Thinkstock); 76 Sneksy (Thinkstock); 79.1 Comstock (Thinkstock); 79.2 Karin & Uwe Annas (Fotolia); 80 The Freecycle Network; 81 diane labombarbve (iStockphoto.com); 83.1–6 Cambridge University Press; 84 Jan Mika (Thinkstock); 86 Marco2811 (Fotolia); 87.1 Neudoerfler Office Systems GmbH; 87.2 Varier®Furniture GmbH; 87.3 patrick12306 (Fotolia); 90 Cynoclub (Fotolia); 91 AlpamayoPhoto (iStockphoto.com); 92.1 ugibugi (Fotolia); 92.2 Horticulture (Fotolia); 92.3 26kot (Fotolia); 92.4 PixelQuelle.de; 92.5 ommbeu (Fotolia); 92.6 KazPhotoGallery (Thinkstock); 93.1 Monkey Business (Fotolia); 93.2 Nils Kahle – 4FR Photography (iStockphoto.com); 93.3 mikedabell (iStockphoto.com); 94.1 MEV-Verlag Germany; 94.2 MEV-Verlag Germany; 94.3 BluesandViews (Thinkstock); 94.4 Stocktrek Images (Thinkstock); 94.5 DeWe (Fotolia); 94.6 Vulkanisator (Fotolia); 94.7 WhitcombeRD (Thinkstock); 94.8 éric bargis (Fotolia); 96 Alexander (Fotolia); 97 Aleksey Stemmer (Fotolia); 98.1 Maria.P. (Fotolia); 98.2 Hermin Utomo (Thinkstock); 98.3 kotoyamagami (Fotolia); 98.4 yamix (Fotolia); 98.5 colematt (Thinkstock); 98.6 Gunter Bahr (Thinkstock); 98.7 Glam-Y (Thinkstock); 98.8 Hermin Utomo (Thinkstock); 98.9 Acrylik (Thinkstock); 99.1 pablo_rodriguez1 (Thinkstock); 99.2 Jupiterimages (Thinkstock); 100.1 Cambridge University Press; 100.2 fisfra (Fotolia); 100.3 syngo – aboutpixel.de ; 100.4 elan7t50 (Thinkstock); 101 theboone (iStockphoto.com); 102 Digital Vision (Thinkstock); 103.1 PeterHulse (Thinkstock); 103.2 Harvepino (Thinkstock); 105 James Lee (Thinkstock); 107 frankpeters (Thinkstock); 108 Big Cheese Photo (Thinkstock); 109.1 Dean Mitchell (iStockphoto.com); 109.2 MEV- Verlag Germany; 109.3 Lise Gagne (iStockphoto.com); 110 wojciech_gajda (Thinkstock); 111 Berchtesgaden (Fotolia); 112 Viktor Cap (Thinkstock); 113 Sergey Novikov (Thinkstock); 114.1 Digital Vision (Thinkstock); 114.2 Wavebreakmedia Ltd. (Thinkstock); 115.1 Reddiplomat (Thinkstock); 115.2 DragonImages (Thinkstock); 115.3 tolgaildun (Thinkstock); 115.4 michaeljung (Thinkstock); 116 Olena Mykhaylova (Thinkstock); 117.1 Ryan McVay – PhotoDisc (Thinkstock); 117.2 diego cervo (Thinkstock); 117.3 Juan Bernal (iStockphoto.com); 121 Thinkstock Images (Thinkstock); 122.1 Jupiterimages (Thinkstock); 122.2 michaeljung (Thinkstock); 123 Cameron Whitman (Thinkstock); 124 ViewApart (Thinkstock); 125 Steve Hix/Somos Images/Corbis (Thinkstock); 126 John Lund/Drew Kelly (Thinkstock); 127 michaeljung (Thinkstock); 128.1 Selecstock (Thinkstock); 128.2 Thinkstock Images (Thinkstock); 129 Robert Kneschke (Fotolia); 130–131 Freytag & Berndt; 132 Brand X Pictures (Thinkstock); 133 Catherine Yeulet (Thinkstock); 134.1 Fuse (Thinkstock); 134.2 Jupiterimages (Thinkstock); 135 BrianAJackson (Thinkstock); 136 dmitrimaruta (Fotolia); 137 KirsanovV (Thinkstock); 140 Kenneth Sponsler – Hemera (Thinkstock); 141.1–2 Cambridge University Press; 142 Cambridge University Press; 143 Stefano Lunardi (iStockphoto.com); 147 thiroil (Thinkstock); 148 tsurukamedesign (Thinkstock); 150.1 Creatas (Thinkstock); 150.2 Creatas (Thinkstock); 150.3 Cornel Stefan Achirei (Thinkstock); 150.4 Cathy Yeulet – Hemera (Thinkstock); 150.5 Mike Manzano (Thinkstock); 150.6 justme_yo (Thinkstock); 150.7 Otmar Winterleitner (Thinkstock); 151 DRB Images, LLC (iStockphoto.com); 152 Bariscan Celik (Thinkstock); 153 desperado (iStockphoto.com); 155 Elnur Amikishiev (Azerbaijan) (Thinkstock); 158 Purestock (Thinkstock); 159 Nils Kahle (iStockphoto.com); 160 Mr C I Elwell – 2008 (Thinkstock); 161 Goldfinch4ever (Thinkstock); 162 Purestock (Thinkstock); 163 Nils Kahle (iStockphoto.com); 172.1–10 Cambridge University Press; 173.1 Stephan Baur (Fotolia); 173.2 Eisenhans (Fotolia); 173.3 MH Foto-Design; 177 Cambridge University Press; 178.1–10 Cambridge University Press; 180 Jumpeestudio (Thinkstock); 182 caroline letrange (Fotolia) Nur zu Prüfzwecken – E igentum des Verlags öbv