Bildquellenverzeichnis Bilder U1.1: Tony Anderson / Getty Images; U1.2: Sergii Figurnyi / stock.adobe.com; S. 4: PR Image Factory / stock.adobe.com; S. 6.1: teamWERK – Die Filmproduktion GmbH, Stuttgart; S. 6.2: teamWERK – Die Filmproduktion GmbH, Stuttgart; S. 7.6: eyewave / Getty Images – iStockphoto; S. 8: Chalabala / stock.adobe.com; S. 10: Prostock-studio / stock.adobe.com; S. 12: Francesco Marzovillo / Getty Images – iStockphoto; S. 13.1: SpeedKingz / Shutterstock; S. 13.2: satura_ / stock.adobe.com; S. 13.3: stokkete / stock.adobe.com; S. 13.4: otsphoto / stock.adobe.com; S. 13.5: Drobot Dean / stock.adobe.com; S. 13.6: moodboard / stock.adobe.com; S. 13.7: refresh(PIX) / stock.adobe.com; S. 14: Reportage „Une année à Montpellier“. Produziert im Auftrag von: Ernst Klett Verlag GmbH, Stuttgart. Redaktion: Christelle Souvras Regie, Schnitt: Olivier Guerin, Technik: Chromatella Vox, Schauspielerin: Elisabeth Lerche, Off-Stimme: Anna Fischer, Danksagung: Maison de Heidelberg in Montpellier; Herr Demes; Stefanie Eisenreich; Sonia Blin; S. 15: goodluz / Shutterstock; S. 19.1: Ernst Klett Verlag, Stuttgart; S. 19.2: railway fx / Shutterstock; S. 19.3: Vladone / Getty Images – iStockphoto; S. 20.1: IMAGO / Belga; S. 20.2: Gorassini Giancarlo / ddp; S. 22: Anton Estrada / Alamy Stock Photo; S. 24: pololia / stock.adobe.com; S. 26.2: MDV Edwards / Shutterstock; S. 27: © PONS Langenscheidt GmbH; S. 28: Kennes Éditions S.A., Loverval; S. 31: Kzenon / stock.adobe.com; S. 32.1: anrymos / stock.adobe.com; S. 32.2: Jacek Chabraszewski / stock. adobe.com; S. 32.3: WavebreakMediaMicro / stock.adobe.com; S. 32.4: Kiev.Victor / Shutterstock; S. 32.5: Sergey Novikov / stock.adobe.com; S. 32.6: parys / Getty Images – iStockphoto; S. 33: pololia / stock.adobe.com; S. 34: detailblick-foto / stock.adobe.com; S. 35.1: Directphoto Collection / Alamy / Alamy Stock Photos / mauritius images; S. 35.2: Leonid Andronov / stock.adobe.com; S. 35.3: dudlajzov / stock.adobe. com; S. 36: JustLife / stock.adobe.com; S. 37.1: IMAGO / Pacific Press Agency; S. 37.2: IMAGO / PanoramiC; S. 38.1: Ricochet64 / stock.adobe. com; S. 38.2: Porte Ouverte, Mulhouse; S. 38.3: Aktion Baum gemeinnützigeGmbH, Hamburg; S. 38.4: Tafel Deutschland e.V., Berlin; S. 39.1: UfaBizPhoto / Shutterstock; S. 39.2: Dean Mitchell / Getty Images; S. 39.3: shootingankauf / stock.adobe.com; S. 39.4: andriano_cz / stock. adobe.com; S. 39.5: damircudic / Getty Images; S. 40: Prisca Martaguet, Berlin; S. 43.1: Dan Race / stock.adobe.com; S. 43.2: hedgehog94 / Shutterstock; S. 43.3: kkalak Aiempradit / Shutterstock; S. 43.4: Svetlana Popova / Getty Images – iStockphoto; S. 44.6: Carboxylase / Shutterstock; S. 44.5: Carboxylase / Shutterstock; S. 45.1: uchar / Getty Images; S. 45.2: andresr / Getty Images; S. 45.3: Thierry RYO / stock. adobe.com; S. 45.4: SasaStock / stock.adobe.com; S. 45.5: Alexandr Yurtchenko / Getty Images – iStockphoto; S. 45.6: Kuttig – People / Alamy / Alamy Stock Photos / mauritius images; S. 45.7: Robert Kneschke / stock.adobe.com; S. 45.8: Olena Lialina / Getty Images – iStockphoto; S. 45.9: Juanmonino / Getty Images; S. 45.10: georg hochmuth / APA / picturedesk.com; S. 46: mma23 / stock.adobe.com; S. 47: Stéphane Hessel: Engagez-vous ! La Tour d’Aigues: Éditions de l’Aube. 2020.; S. 49: Vladimir Vladimirov / Getty Images; S. 50.1: picture alliance / Hans Lucas / Jean-Francois FORT; S. 50.2: Alexander / stock.adobe.com; S. 50.3: VCoscaron / Shutterstock; S. 50.4: highwaystarz / stock.adobe. com; S. 51.1: F8 studio / Shutterstock; S. 51.2: Sladic / Getty Images – iStockphoto; S. 51.3: JackF / stock.adobe.com; S. 51.4: Natali / stock. adobe.com; S. 51.5: Kevin Dodge / Getty Images; S. 51.6: Eléonore H / stock.adobe.com; S. 52.1: Anton / stock.adobe.com; S. 52.2: Dmytro Zinkevych / Shutterstock; S. 52.3: GERARD BOTTINO / Shutterstock; S. 52.4: Prisca Martaguet, Berlin; S. 54: Andreas Nieweler, Detmold; S. 55: André Perlstein / Roger Viollet / picturedesk.com; S. 56: DILA 2021 / vie-publique.fr / Cartographie: Dario Ingiusto; S. 57.1: kovalenkovpetr / stock.adobe.com; S. 57.2: Marc / stock.adobe.com; S. 57.3: stevegeer / Getty Images – iStockphoto; S. 57.4: Yves Damin / stock.adobe.com; S. 58: Damien / stock.adobe.com; S. 59: joyt / Getty Images – iStockphoto; S. 60: Joachim Martin / stock.adobe.com; S. 61.1: Daguimagery / stock.adobe.com; S. 61.2: Christelle.delforge / stock.adobe.com; S. 61.3: freeskyline / stock.adobe.com; S. 62: 24jef / stock.adobe.com; S. 63.1: FrankRamspott / Getty Images; S. 63.2: FrankRamspott / Getty Images; S. 63.3: FrankRamspott / Getty Images; S. 64: Claudia Weinmann / Alamy / Alamy Stock Photos / mauritius images; S. 65.1: WavebreakMediaMicro / stock.adobe.com; S. 65.2: eyewave / stock.adobe.com; S. 65.3: Photo © AGIP / Bridgeman Images; S. 65.4: Mediteraneo / stock.adobe.com; S. 65.5: bokan / stock.adobe.com; S. 65.6: Jacob Lund / stock.adobe.com; S. 65.7: Monkey Business Images / Shutterstock; S. 68.2: Peter Hermes Furian / stock.adobe.com; S. 68.3: AlcelVision / stock.adobe.com; S. 68.4: Daniel Ernst / stock.adobe.com; S. 68.5: monitor6 / Getty Images – iStockphoto; S. 69: martin-dm / Getty Images; S. 71: Boris Stroujko / stock.adobe.com; S. 72: FAF Toscana – Fondazione Alinari per la Fotografia / akg-images; S. 73: picture alliance / United Archives / United Archives / IFTN; S. 74.1: Christopher Arleston, Serge Carrère, Nathalie Morel: Léo Loden. Terminus Canebière. Paris: Éditions Delcourt 2000.; S. 74.2: Ian Dagnall / Alamy / Alamy Stock Photos / mauritius images; S. 77: Shellac SARL, Marseille ; S. 81: Boris Stroujko / stock.adobe.com; S. 83: France Télévisions, Paris (France TV , France 3 , France 5); S. 84.1: Konstantin Yolshin / stock.adobe.com; S. 84.2: Jimmy Tudeschi / stock.adobe.com; S. 85.1: akg-images; S. 85.2: Jessica Oublié, Kathrine Avraam, Nicola Gobbi, Vinciane Lebrun: Tropiques toxiqueS. Le scandale du chlordécone. Paris: Éditions SteinkiS. 2022.; S. 86: Jessica Oublié, Kathrine Avraam, Nicola Gobbi, Vinciane Lebrun: Tropiques toxiqueS. Le scandale du chlordécone. Paris: Éditions SteinkiS. 2022.; S. 87: deutsch-französisches Institut Erlangen (dfi) / Michelle_Raponi – pixybay.com / Gauthier Fabre, Valence ; S. 88: Nick Fox / stock.adobe.com; S. 90: luismolinero / stock.adobe.com; S. 91: Ljupco Smokovski / stock.adobe.com; S. 93.1: Antonio_Diaz / Getty Images – iStockphoto; S. 93.2: RenysView / stock.adobe.com; S. 93.3: De Visu / stock.adobe.com; S. 93.4: annems / stock.adobe.com; S. 94: Ben Gingell / Shutterstock; S. 95: julialine802 / stock.adobe.com; S. 96: Willee Cole / stock.adobe.com; S. 97.1: Kzenon / stock.adobe.com; S. 97.2: deagreez / stock.adobe.com; S. 97.3: Manolines / Shutterstock; S. 97.4: fizkes / Shutterstock; S. 99: flowertiare / stock.adobe.com; S. 102: fizkes / Shutterstock; S. 104.1: ARCHistory / APEB; S. 104.2: ellinnur / stock.adobe.com; U4.1: Old Man Stocker / stock.adobe.com; U4.2: plainpicture / AWL / Tom Mackie Illustrationen Audrey Bongiorno, La Louvière: Seite 5 Dorothee Wolters, Köln: Seite 9.1 Étienne Simon, Wépion: Seite 119 Jani Spennhoff, Barcelona: Seiten 9.2; 9.3; 9.4; 44.1; 44.2; 44.3; 44.4; 89.1; 89.2; 89.3; 89.4; 89.5; 89.6; 89.7; 89.8; 89.9; 89.10; 89.11; 89.12 Pauline Bernadoux, Le Bourg: Seiten 7.1; 7.2; 7.3; 7.4; 7.5; 7.7; 7.8; 7.9; 7.10; 7.11; 7.12; 7.13; 7.14; 7.15; 7.16; 7.17; 7.18; 11.1; 11.2; 11.3; 16.1; 16.2; 23; 26.1; 68.1 118 cent-dix-huit Nur zu Prüfzwecken – Eigentum des Verlags öbv
RkJQdWJsaXNoZXIy MTA2NTcyMQ==